
InfoComm América Latina 2026
11:00 AM - 7:00 PM, Eastern Daylight Time
Experience InfoComm Latin America, powered by AVIXA! Join us from Oct 21-23 at Mexico City's World Trade Center for tech, conferences, and more.

InfoComm América Latina 2026
11:00 AM - 7:00 PM, Eastern Daylight Time
Experience InfoComm Latin America, powered by AVIXA! Join us from Oct 21-23 at Mexico City's World Trade Center for tech, conferences, and more.

InfoComm India 2026
10:00 AM - 6:00 PM, India Standard Time
InfoComm India 2026

Broadcast AV Power Hour: Convergence of Streaming and Conferencing
1:00 PM - 2:00 PM, Eastern Daylight Time
Explore how the fusion of broadcast and conferencing technologies is transforming corporate meetings and events. This webinar highlights how producers are combining high-quality video workflows with real-time communication tools to deliver seamless, hybrid experiences.

InfoComm 2026
Las Vegas, NV, USA
8:00 AM - 5:00 PM, Pacific Daylight Time
InfoComm 2026 in Las Vegas, NV

In the Trust Business: Mariana Atencio on Why "Real" Matters in AV
Ahead of her AVIXA Women’s Breakfast keynote at InfoComm 2026, Mariana Atencio explores why authenticity, empathy, and human connection are essential to the spaces AV professionals help create in an increasingly unreal world.

Course 120 - Digital Signal Processing (DSP)
Produced by SynAudCon and taught by Pat Brown, this course is your fast-track to DSP deployment. Understanding the universal principles of these processes will help you deploy DSP solutions quickly and effectively, removing the guess-work with regard to DSP settings. This course will help you understand the following: ✅ The importance of gain structure with regard to DSP performance ✅ The various types of mixer blocks, including auto-mixers ✅ Digital filters, including “analog-like” IIR filters as well as FIR filters ✅ The meaning of “phase response” and how it is used to classify filters ✅ The use of DSP to optimize the response of a loudspeaker ✅ Advanced processes, such as Acoustic Echo Cancellation, or AEC ✅ Methods for controlling peak and RMS signal levels using DSP Don't be overwhelmed by the theory. Pat Brown presents the theory in an understandable framework, demonstrated with practical applications. It is perfect prep for any manufacturer’s DSP training course.

How AV over IP is Transforming Sports Production Workflows
Modern sports production is shifting to AV over IP for greater flexibility and speed. Discover how network-based workflows deliver scalable, high-quality content in real time.

Eric Gazzillo of Quince Imaging Answers your Questions About Projection Mapping | Tech Support
[Previously live] In this session, we explore the world of live events and projection mapping—from creative possibilities to technical challenges. Our featured guest, Eric Gazzillo of Quince Imaging, brings years of hands-on experience designing and delivering stunning visual experiences for live productions. Eric answers your questions on the technical aspects of live experiences, pathways to careers in AV, and much more.

Complete Guide to Integrated Experience Tours at InfoComm 2026
InfoComm’s Integrated Experience Tours take attendees beyond the show floor to explore cutting-edge AV applications in real-world settings like VR labs, medical campuses, and entertainment venues.

Ross Video Live Event AV Showcase
1m 12sec
Whether you're running a company-wide meeting in an auditorium or switching between hybrid flex spaces, Ross gives you full control, seamless video switching, automation, graphics, and more, all in one ecosystem.

Ross Video's HyperMax Overview
5m 18sec
Stay ahead of your production with a solution that evolves with your needs. Carbonite HyperMax empowers your studios with dynamic licensing, allowing you to quickly expand or modify functionality to meet the demands of local, regional, or global events and scenarios – without additional hardware investment.

Sound System Spectral Balance
$75 USD - Free for Premium and Elite members
A103.01:2023 -- This Standard provides a characterization of and a procedure to measure spectral balance, with criteria for use in the design and commissioning of audio systems. This standard is currently in development.
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